Like Lighting

2009 September 7
by admin

Something struck me when my musician friend said, while sitting on my couch causally picking at my two-year-old guitar that only sees the light of day when a musician such as this guy sitting on my couch wants to play it, that learning the guitar is hard and takes hard work and that so many people just want to pick it up and know how to play.  He went on to stress that you must work at learning at something that is worthy of learning.

This struck me as particularly true. Particularly with me. Particularly with not only the guitar but with new advanced software, programs and such. I’m unfocused. I have too many routes I could take, not just a fork, but a never ending roundabout where I see the fast cars taking the cool roads, but my car isn’t nearly quick enough to take the turn. (Ugh, I used a car analogue)

I could learn After Effects, I could make sense of this web site and make something I’m proud of, or I could focus on napping (probably not though). I could network till my voice is gone.

Speaking of which, Twitter is probably the most powerful tool on the planet right now for networking in my field. Journalists and techno fans alike love Twitter. So far about 90% of my networking has been on Twitter. Obviously it hasn’t worked completly yet, as I’m still unemployed, but I’ve made some fruitful connections, personal and professional. And if you haven’t watched this video yet about social media, it’s a must see brilliant but brief explainer.

Naturally Parkour

2009 August 27
by admin

Naturally Parkour from Amanda Hartman on Vimeo.

Parkour, a gymnastic, athletic, free-style run, rose to popularity within the last couple of years. Students at RIT put together a club to focus on training parkour newbies in basic techniques. Produced for Rochester’s Democrat&Chronicle, The Loop, but Amanda Hartman and Megan Rossman.

Eclectic Method Mashes Live

2009 August 27
by admin

EM Mashes Live from Amanda Hartman on Vimeo.

Here is the written portion of this story. It’s long, so for the sake of saving space on my blog, I’ve included the first few graphs then linked in the rest in the .doc found below.

******

The big triangular play button, layered on top of the YouTube video window inside a browser, tempts a passive YouTube user seeking entertainment, if only just for a few seconds. Click.

The video begins, unleashing iconic pop-culture images synchronized with rhythmic song beats, sampled from TV, film, online video, and music, creating one continuous post-modern video, a barrage of relentless pop references that would make even the writers of “Family Guy” jealous.

This is the essence of each video and live performance produced by Eclectic Method (EM), a trio of London-born video remixers named Jonny Wilson, Ian Edgar, and Geoff Gamlen. Formed in 2002, the group boasts hundreds of thousands of views on YouTube, Vimeo and other video-sharing websites. They produce online videos made up of music and various types of video media such as movies, TV, music videos, and other online videos. They also perform live all over the world, mixing fragments of their online videos and other media together at a DJ table in front of large screens and a dance floor. Their logo, a colorful recycling symbol, represents the group’s seemingly innocent idea, to reuse and reshape pop culture through remixing and mash-up.

“We’ve gotta do it,” says Wilson, who is the highest profile member of the group. “It’s gotta be done. Someone’s gonna do it.”

mashup_final

New design for my Web site

2009 August 21
by admin

This is what my new Web site will look like. Designing it was the easy part, now for making it functional.

This is suppose to be a place to showcase my portfolio, but it turns out that all my Final Cut Pro projects won’t open in Final Cut Express. I need to export the videos to a .mov, and if it won’t open on my computer with FCE, then I can export them. This presents an interesting problem. I need a local community darkroom that makes avaiable FCP.

In any case, any thoughts on the design? Way to make it better or just general comments to boost/shoot my ego.

Next step…ready…jump!

2009 August 7
by admin

Seth and I moved to Champaign IL this week. Yeah, that’s right, central Illinois, where the corn fields grow a few feet from major intersections. We got here Monday afternoon and waved goodbye to Seth’s parents (who helped us move here) on Thursday. Homesick? maybe. Lonely? nah…I’ll make friends soon. Unemployed? YES!

This is the 3rd time in 3 years we’ve moved, each time needed new things to stock our exciting new apartment. I’m continually surprised by how much stuff we need to buy from apartment to apartment. Chairs, end table, wall decor, hand towels, welcome mats, etc. We haven’t purchased any major furniture items since we’ve lived together so all of our stuff has been moved at least three times, some of it 4 times.

It’s sometimes very surreal to walk through my new kitchen and living room and see our things in a completly different setting.

Luckily for my job hunt and friend hunt, Mid-westerners are friendly. Twitter seems to be my only access point right now for networking, it will do until I start a job, volunteer work or meet-ups. If I get real desperate I’ll be Seth’s tag-along.

Pictures will follow just as soon as I get a descent camera again.

In any case, we’re here! I’m ready to do what it is I was planning on doing for most of my college life. Let’s play ball!

Photos from the holidays and New York City

2009 January 18
by admin

Review: Revolutionary Road

2009 January 7
by admin

Revolutionary Road, directed by Sam Mendes, chronicles a young couple who’s ideals of living beyond the standards and restraints of the upper middle class are lost while raising their two children in the sprawling suburbs of the 1950’s. Frank (Leonardo DiCapro) and April (Kate Winslet) are ambitious intellectuals seeking the truth about the world and themselves, determined to live against the grain of society. Gradually their lives become empty and soulless, existing only to survive the mundane tasks of each day, their perfectly happy life is simply a facade. 

The script, adapted by Justin Haythe from Richard Yates’ novel of the same title, is deliberate and exaggerated, which fuels intense and bitter contention between Frank and April, sophisticatedly portrayed by both actors. Their relationship thrives only after they plan to move to Paris. While toying with the notion of living a happy and meaningful life in the mysteriously different country, the forces of money and expectations take hold, and their lives slip deeper into regret and isolation from one another.
 

The dark and twisted themes are brought to the surface, Frank is stuck in a meaningless job in a pool of other men with the same gray suits, April folds the same laundry and washes the same dishes every day. Backdropped by the heightened reality of Mendes’ 1999 “American Beauty”, “Revolutionary Road” is naturalistic and presents a voided world, lacking contrast, but is always seeking the truth, no matter how vicious. Helen Givings, a friend of Frank and April, introduces her mathematician-turned-mentally ill son, who avoids all etiquette and politeness to become vehicle for the dark truth that is so often understated in dramas. While I cringe at the honesty of it all, I find the frankness refreshing.  

This flawless study of a marriage struggling to survive is intelligent, and leaves every emotion tapped. 

Why David Sedaris loves podiums

2008 December 13
by admin

David Sedaris read at The Landmark Theater here in Syracuse Thursday night…the ticket was 22 bucks. And that was the cheapest ticket.

Being surrounded by literary nerds is like being surrounded by video game nerds, giddy spectators rush to their seats, paying zero attention to the rude flashlight-bearing ushers, and when the lights finally dimmed, a hush fell over the crowd with fleeting random shushes coming from the most eager audience members.

Then, he walks out on stage. Nope…it’s just the introducer who no one listens too and practically gets booed off stage in hopes that Sedaris will sprint to replace this lowly man. Finally, a short, mild man trots to the single podium, a glass and a bottle of water sits on a stool right next to it. He plants himself behind the podium, the biggest movement of the night is when he shuffles his papers in preparation for the next reading.

Now, Sedaris is no stand up comedian, but did I really pay $22 to listen to him motionlessly read a few essays? Yes, I did…and it was damn worth it. I could have listen to the same thing on a CD, it would have had the same effect, and I would have paid $22 for it. Instead, I get to watch him read, from behind a podium, hundreds of feet away, next to some sweaty fidgety guy, while ushers whisper loudly to the few late stragglers.

Still worth it.

Sedaris is a literary mastermind, his clever word choice and memorizing plots seem to capture the essence of absurdity in everyday life. The first essay he read was a six-year-old fictional story of a eager family one-uping their neighbors every Christmas. “Christmas means giving” is the family’s motto, who is burdened with an indoor tennis court and rifle range, too burdened in fact to actually give anything to the “Inner City Headache Fund” while boosting the $1 donation anyway.

Although the story is six years old, it still rings true while a credit crisis and recession rips through the country’s anti-thrift mode. The families are willing to give up things like a lung and eyeballs, but never cold hard cash. Sedaris is clever in that he never actually tells us why they won’t give money, but we can only assume its because they’ve spent it all on themselves. Hilarity ensues after each one-liner describes the laundry list of ridiculous sacrifices they make in the sprit of giving.

Sedaris read passages from Syracuse resident, George Saunders’ “Ask the Optimist.” This very act is surprising, but welcomed by the audience and, I’m sure Saunders, who seemed to be sitting in among the pleased audience. The quick passages, told in Sedaris’ nerdy, nasal, slightly higher pitched voice than one would expect, broke up the evening. In the form of “Dear Abby,” a fictional reader asks a question to the “Optimist.” The first was about a readers love of bonnets and her husband who just bought a convertible, another included a reader feeling sad when visiting the zoo because the animals are sitting in their own feces, another described a turkey who felt he was a man stuck in the turkey’s body. Sedaris couldn’t have picked a better author to read.

Both authors take essential mundane assumptions and elevated it to the level of reality that is never thought of, to bring to the surface fundamental truths that are just plain hilarious.

Author readings are as exciting as watching a train pass by, but Sedaris seemed to keep even the most squirmy ticket holder (me) at bay and entertained. No pulpy literary language, just simple ideas written well.

Now I can cross “attend a nerd convention” off my list.

Waiting for DVD’s

2008 December 11
by admin

Syracuse is great and all but being an student of arts journalism in film is a hardship I was not expecting to encounter.

Regal has decided to play only about eleven films in their twenty theaters, leaving out all the decent films a film lover would want to see. I’m sure that their are plenty of parents and children that appreciate Regal when it shows “Bolt” and “Bolt in Disney in 3D.” (Note the lack of link on the latter, its the SAME FILM)

Fans of “HSM3″, “Transporter 3″, and “Madagascar: Escape 2 Africa” would be thrilled to see yet another installment of their favorite monotonous Hollywood money maker. Anyone with an urge to witness Reese and Vince combat their fictional dysfunctional families and equally as awkward title “Four Christmases” would be thrilled that Regal is playing it seven times during the week and who knows how many times during the weekend.

Hankering for drama and thrill? Regal has it is three forms, Bond, a whole country, and some vampires. For those who haven’t indulged themselves enough yet, there’s leftovers, “Role Models”, “Punisher: War Zone”, and “Cadillac Records”, “Nobel Son” and “The Day the Earth Stood Still”.

Now, I love film, I love the occasional blockbuster, (Quantum of Solace was a decent movie) but do the residents of Syracuse hate good movies so much that it can’t give Regal the financial backing to keep the good ones playing for longer than a few weeks. Looking at the top ten films in theater right now indicates that Syracuse is not the only culprit, it’s the whole country.

I would love to see “Milk”, “Slumdog Millionaire”, “The Boy in the Striped Pajamas”, “Synecdoche, New York”, and “Happy-Go-Lucky” in Syracuse.

It looks like I’ll be waiting for the DVD’s to come out in Netflix.

Read my film review

2008 November 20
tags: ,
by admin

“The Visitor” drums its way onto DVD